Donald J. Bingle

Contest and October 2021 Newsletter

Some years ago, storyteller and magician William Pack encouraged me to put together an anthology called Familiar Spirits so he would have a volume to sell when he did his ghost presentations, often in the month of October. I put out a call to a number of writers I knew, along with several writers' groups that either I or Bill had some kind of connection with. The call specifically asked for spooky ghost stories. I ended up accepting eleven stories, nine of them by women. No, I didn't have a quota or anything like that--mostly it was that the women tended to submit spooky stories and the men tended a bit more heavily toward bloodier horror. After The Love-Haight Case Files, this little anthology was one of the better movers at my booth at Origins, probably because October is a spooky month and it makes for a good read--or present--for Halloween. Oddly enough, Amazon has had some special low pricing on it lately, probably due to price-matching. At one point the print copy was cheaper than the Kindle pricing, but as I am typing this it is the Kindle price which is reduced. Your mileage may vary. You can get it here.

Some of you may have heard on the news that there is a major volcanic eruption going on in the Canary Islands. Usually, the story is an after-thought on U.S. news channels because ... well, if there is no connection to U.S. locals, the news here just doesn't care. Of course, the eruption could be a big deal for us, if things go badly. See this article in the New Zealand Herald. Since this possibility is mentioned in Wet Work, my second Dick Thornby Thriller, I thought I'd get a bit of a bump in sales out of the news. So far, not so much. But you could be the first on your block to read the book(s) and amaze your friends with your encyclopedic knowledge of current world events. Just a thought.

My Story, "Standing Still," Is Named Story of the Week and Wins Simily's Contemporary Fiction Contest.

 

You can find my now award-winning story, Standing Still, here on www.simily.com.

 

Writing in Multiple Genres (A blog from October 15, 2011)

 

My wife and I used to go to a lot of local art fairs (before all of our available wall space was pretty well occupied). One of the things about artists is that many, many of them find a style or motif they do reasonably well and which sells well-enough to support the art fair circuit lifestyle and they stick with it. So we would see an artist tent and recognize it as the "fuzzy tree" guy or the "cows in the field" woman or whatever. Sure, we sometimes bought stuff from these artists, but it always struck me as a fairly boring artistic life for them, doing the same thing, or at least the same kind of thing, over and over again--just cause it sells.

 

Some writers, in fact quite a few writers, do that kind of thing, but probably not in quite as an extreme fashion. They may not turn out the same story or the same plot over and over, but they find a genre they like and stick with it. Now, genres are pretty big things and you can have a lot of individual creativity within a genre (and some do), but sometimes it is just sequel after sequel after sequel about the same thing.

 

Frankly, I think that would bore me. It's not that I'll never write a sequel--I suspect I will. [Editor's note from 2021: My prediction was true, since I now have a three-book spy thriller series and a co-authored two-book multi-genre series.) It's just that writing in one world or in one genre does not appeal to my creative side as strongly as it does to some others. Maybe this is why I loved parliamentary-style debate in college (where you get a new topic every round and debate extemporaneously) over national-topic debate. Maybe this is why I never really liked (or played much) in rpg campaigns, where you play the same character for an extended period, as opposed to RPGA tournaments, where I played a boat-load of different game systems and worlds and got a new character to play almost every single time.

 

Consequently, it is probably no surprise that my business card as a writer notes that I have published works in the scifi, fantasy, horror, thriller, steampunk, romance, and comedy genres. [Editor's note from 2021: I now also include mystery and memoir.] I've also written short stories, a novelette, a novella, three [now eight] books, a couple screenplays, a few memoirs, gaming material, and even a few poems.

 

I wish I could say this was all quite deliberate, but the reality is that, in part, I kind of fell into it by writing stories for specific markets/anthologies that were looking for stories, rather than just randomly writing whatever I wanted and then spending an inordinate amount of time looking for publications to place them. This worked for me both because I can write pretty quickly, on topic and on requested word-count, and the limitations of the anthology topic or requested tale actually sparks my imagination. And, once word got about with some editors that I could write quickly to spec, I started getting requests to fill in at the last minute for someone who missed deadline or because the total wordcount came up short.

 

Writing in multiple genres probably isn't the smartest move from a marketing standpoint. Fans of my dark comedy and humorous horror may not like my romance or scifi offerings or vice versa. Often, even big-time authors use a pseudonym when trying to break into a new genres, so as not to confuse the public, disappoint their regular readers, or impact their future contracts by having a bad sales outing in one genre affect their deal for books in their regular genre. It has, however, enabled me to keep getting stories published on a regular basis--including some that I do write out of the blue (though those generally take longer to sell, even though I think they are just as good)--and it has broadened my contacts with editors and publishers, to good results.

 

I've tried to make the best of my multiple genre background with my Writer on Demand TM moniker and by grouping previously-published stories in my backlist and putting them out in 3 or 4 story collections by theme, including so far: Tales of Gamers and Gaming; Tales of Humorous Horror; Tales Out of Time, and, most recently Grim, Fair e-Tales (4 dark/downbeat stories, two of which are set at a faire or carnival). [Editor's note from 2021: The Writer on Demand TM collection now also includes: Tales of an Altered Past Powered by Horror, Romance, and Steam; Not-So-Heroic Fantasy; and Shadow Realities.]

 

Do you write in multiple genres? Do you have questions or comments about doing so? If you do, I'd love to hear from you.

 
Link to my Stuff on Amazon
 

Love-Haight Story CONTEST!!

(Rules to Enter in Text Below)

 

Last month I mentioned that I was going to be attending Origins Game Fair in Columbus as an author participant in the Origins Game Fair Library, which puts out an anthology each Origins as a kind of souvenir and sampler. Past anthologies have included Robots!,  Monsters!, and Dragons!, etc. This year's anthology was titled Origins! (The running joke was that next year's anthology will be called Exclamation Points!)

 

Origins! includes my story, "Buzz on the Streets" (not yet available elsewhere), which is set in the world of The Love-Haight Case Files before the events of Book 1. Lots of people got the book and stopped by the Library to have authors sign their copy. Origins! is limited to 500 copies, but I managed to snag a few extra beyond my author's copy and so I am offering a small contest for you to snag one of the coveted copies for yourself.

 

All you have to do is to email me by midnight on Halloween, October 31, 2021, at orphyte (at) aol (dot) com a screenshot of you or your text/post promoting any of my stuff: my website, my newsletter, any of my books, any of my stories, any of my video readings, or whatever, on the social media platform of your choice (FB, Twitter, Instagram, TikTok, etc.) and I'll pick one of those emails by random and send the selected individual a paperback copy of Origins! to a U.S. address by USPS media mail. (Contest void where prohibited, taxed, or regulated.) Looking forward to your entries!

 

Scaring Ourselves Out of Fun and Profit (A Post for the Horror Writers Association from 2015)

 

Yep, I’m an old guy, so I remember going trick or treating back in the ‘60s (that’s a date, not a temperature) in a housing subdivision in Illinois. The subdivision was plenty big (all pre-fabricated houses; our family watched as ours was unloaded wall by wall from a truck and assembled one day), so the principal negotiation which occurred between us kids and our parents on Halloween was how many streets we could go up and down trick or treating.

 

The limiting factor in such negotiations wasn’t how far we could go from the house (we walked about a mile to elementary school and there were hundreds and hundreds of houses within that radius) or whether there were bad neighborhoods or bad people out there ready to snatch us up for their own sick purposes, but how much loot ... er, candy ... we were allowed to haul in and eat at our leisure (after trading with each other for our favorites). At about twenty houses per side of the street per block, we always pressed for at least five blocks (200 houses!), while Mom and Dad preferred two or three.

 

Mom and Dad, of course, won all such arguments, which explains why I was still skinny by the time I got to high school.

 

Of course, these days, the negotiations are completely different. Why is that?

 

Scary stories.

 

Parents get in trouble in some locales for letting their kids walk to and play in local parks on their own and every year at Halloween the local television news does stories about the wisdom of sending kids to Halloween parties at school or church, instead of trick or treating, because bad things can happen. The local hospital usually also gets into the act by offering to x-ray candy looking for needles and razor blades hidden in apples and candy bars. Somber newscasters recommend chucking all unwrapped treats and checking the wrappers of the rest for punctures or tampering.

 

The thing is, while bad things can happen and may start happening more than they have in the past at any time, there’s just not a solid historical record for all this hype. Yes, there have been stories of tampering on the news, but they generally turn out in retrospect to have involved diseases or poisoning from other sources, or even deliberate attempts to kill a specific kid and then escape blame by tampering with that kid’s sugary stash.

 

Don’t believe me? Check out this debunking on Snopes.com. 

 

That’s right. Horror stories about trick or treating have stolen fun from millions of kids and made them raid their own allowance to purchase candy on the sly, rather having sweets handed to them by their neighbors—the same neighbors that yell at them when they step on the lawn.

 

As members of the Horror Writers Association, you can only wish your horror stories have the same kind of impact on the world.

 
Free Audible Trial

EPICENTER, Majestic Files Book 1

by

Andy Briggs

 

An earthquake strikes - and with it several bizarre murders.

 

Something is emerging from beneath the earth – leaving behind destruction and carnage.

 

A terrible secret has been disturbed. And now it’s poised to trigger a disaster that will destroy the world…Explosive action, high-octane pacing and razor-sharp plotting will take you on a roller-coaster adventure. 

 

Donald J. Bingle is the author of seven books and more than sixty shorter works in the horror, thriller, science fiction, mystery, fantasy, steampunk, romance, comedy, and memoir genres. His books include Forced Conversion (near future military scifi), GREENSWORD (darkly comedic eco-thriller), Frame Shop (murder in a suburban writers' group), and the Dick Thornby spy thriller series (Net Impact, Wet Work, and Flash Drive). He also co-authored (with Jean Rabe) The Love-Haight Case Files series (a three-time Silver Falchion winning paranormal urban fantasy about two lawyers who represent the legal rights of supernatural creatures in a magic-filled San Francisco; Book 2 just came out). Don also edited Familiar Spirits (an anthology of ghost stories).

Many of Don's shorter works can be found in his Writer on Demand TM collections.

 

Get the audiobook version of Net Impact at Audible.com, Amazon, and iTunes and the audiobook version of Wet Work at Audible.com, Amazon, and iTunes.

 

Full disclosure: Various links in my newsletter or on my website may include Amazon Affiliate coding, which gets me a small referral fee (at no cost to you) if you purchase after clicking through. 

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