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BERLIN ART LINK—Studio Visit with John Monteith
E-FLUX CRITICISM—Nalini Malani
C MAGAZINE—The Bodywork of Hospitality
ESPACE 133—Car Show
BLACKFLASH—The Automatic Image and its Prompt
E-FLUX CRITICISM—Stephanie Comilang and Simon Speiser
C MAGAZINE 🌺 18TH ANNUAL ART AUCTION
ESSE—documenta 15
E-FLUX CRITICISM—Daniel Otero Torres
PANEL—"We can only hint at this with words"
MOMUS—Against Nations
Help launch C MAGAZINE ONLINE 🌱
E-FLUX CRITICISM—Rabih Mroué
ESSE—Julian Yi-Zhong Hou and Zadie Xa
C MAGAZINE—Will Kwan
E-FLUX CRITICISM—Leonor Antunes
ARTFORUM—Natural Causes
MOMUS—An Aesthetic of Enough
GALLERIES WEST—Dana Claxton
MOMUS—Iris Häussler's Lament for Print Media
CANADIAN ART—Mirrors, Mandalas and Seeing the Self: Chrysanne Stathacos
ESSAY on Public Studio & Nyle Miigizi Johnston—This Place
ESSAY on Mary Kavanagh—A Radioactive Domestic
CANADIAN ART—A Future That Has No History: Laure Prouvost and Jonas Staal
ENERGY CULTURE—The Ocean and the Cloud: Material Metaphors of Hidden Infrastructure
CANADIAN ART—Constellations: Hajra Waheed
OTHER PLACES—A conversation with Christina Battle
CANADIAN ART—Alexander Calder
ESSAY on Jon Sasaki—Improvised Travel Adapters
CANADIAN ART—A Year in Contradictions
CANADIAN ART—What Images Don't Do: The Anthropocene Project
CANADIAN ART—The Politics of Preference: the 33rd Bienal de São Paulo
EXHIBITION—Signals in the Sea
SCREENING—Signals in the Sea
CANADIAN ART—Donkeys in the Don and Other Temporary Acts
ESSAY on John Monteith's Resonances
ESSAY on Blake Fitzpatrick and Vid Ingelevics: The Labour of Commemoration
EXHIBITION—How Far Afield?
EXHIBITION—Visitor Information
EXHIBITION—What Does One Do With Such a Clairvoyant Image?
ESSAY on Susanne Kriemann—Shelf Life
EXHIBITION—Pechblende (Prologue): Susanne Kriemann
C MAGAZINE—Compressing and Reconstructing James Bridle's Digital Documents
DRAIN JOURNAL—Bodies Beneath
INVISIBLE CULTURE—Art Documents: the Politics of Visibility in Contemporary Photography