Tea to make or break

On tea ladies and billy boys

 

Once an essential member of staff, the tea lady has been relegated to the annals of history. But her legacy should live on, argues Adeline Teoh.

 

When Robyn Tuckwell retired from her job at Sydney law firm Spruson and Ferguson in 2015, she didn’t hang up a barrister’s wig and gown. She rolled a trolley of mugs into the kitchen and emptied the hot water urn, like always. Robyn worked for 12 years as a tea lady, serving the firm’s personnel morning and afternoon tea, five days a week. By the time she brewed her last beverage, she had memorised all 180 staff members’ preferences.

 

Her retirement marked the end of an era, one that began during the Industrial Revolution where tea and sugar were given to factory workers as a stimulant before becoming a distinct role during World War II. In an effort to boost productivity and morale, servers would come around to workers to provide tea and a small bite to eat. This not only gave the workers a break and some fuel in their stomach, it saved time compared to each individual going off to make their own tea.

 

The concept was such a success that many businesses continued the practice post-WWII and hired tea ladies to roam the offices offering a hot beverage and a snack, as well as a sympathetic ear and the odd snippet of gossip. There was also a male equivalent on building sites called a billy boy, a teen apprentice who would learn the trade but also run errands and make tea for the men on site.

 

Beloved of all, these tea runners have often featured in popular media. In 1978, Network Ten produced a series called The Tea Ladies set in Parliament House, and in the 1980s BBC TV’s Yes Minister often framed drastic budget cuts as a threat to the tea lady’s job. In the 2009 film Slumdog Millionaire, the protagonist works as a tea server in a call centre; although commonly used to describe street vendors making and selling tea, these chaiwalas are sometimes a feature of modern Indian offices.

 

Unfortunately, ‘cuts’ did often contribute to the demise of the role. Tea ladies were eventually phased out and replaced with in-house cafes and vending machines, where individual staff members would pay for their own beverages and businesses did not have to include a tea lady on payroll. Construction apprenticeships are more formal now and the tea round ­– if there is one – is often shared among workmates, whether on a building site or in an office.

 

As the buzz from the New Year fades and a great number of us head back to work in the coming days and weeks, the Australian Tea Cultural Seminar asks you to revive yourself by reviving the tea break at your workplace, whether that’s an office or a building site, a studio or a hospital.

 

Share your tea break on social media using the hashtag #myofficeteabreak and tag or mention us (Instagram: @AustralianTeaCulturalSeminar; Twitter: @austcs; Facebook: AUSTCS). You can use our image or snap your own and include/tag the type and brand of tea you are drinking to increase exposure.

 

We may no longer have a tea lady, but let’s make sure they can never take our tea break.

 

Image below: Melbourne Town Hall tea lady Eve Wilson (Herald Sun Image Library)

FAQs

 

Which city is hosting AUSTCS 2020?

Brisbane! We will keep you updated on the venue once we lock it in.

 

When is AUSTCS 2020?

Saturday 29th and Sunday 30th August 2020 – save the date!

 

When will tickets be available?

Earlybird tickets are now available. This is the lowest priced ticket we sell and there are only a limited number, so get in quick.

 

(Members, please watch out for a special member earlybird offer in your inbox shortly.)

Image above: A selection of Minna Graham’s AUSTCS cups (Photo: Chloe Holliday)

 

Making a cuppa with Minna Graham

 

The Australian Tea Cultural Seminar launches its third annual Ceramic Cup
Competition. We chat to 2019 winner Minna Graham about her process.

 

As a child, Minna Graham would play in the ceramics studio at her dad’s workplace but it was not until much later that she “fell in love with clay again”. And, after the 2019 Australian Tea Cultural Seminar, it was no surprise to find that a whole cohort of tea lovers has fallen in love with Minna Graham’s work.

 

Winner of the 2019 AUSTCS Ceramic Cup Competition, run in conjunction with the Australian Ceramics Association, Minna was commissioned to supply the teacups used in our opening ceremony, Welcome by Tea. Focusing on texture and form, the ceramicist says she endeavours “to make each piece a whole experience, so that when a piece is being held, the simple act of holding draws the attention to it”.

 

In her presentation at the Hobart seminar, she acknowledged how important the teacup was as an artefact. “The teacup is such a powerful vessel as it is a conduit of ritual and transporter of nourishment. My aim is to create vessels that will embellish and enhance the experience of drinking tea. I hope to draw you in and deepen the experience by providing another dimension of senses, through your hands and lips and eyes, and bringing the whole mind and body into the ritual of tea drinking.”

 

We sit down for a cuppa with Minna to launch the 2020 AUSTCS Ceramic Cup Competition.

 

What have you learnt about the tea community by making these cups for AUSTCS?

I've learnt that there is a tea community! Community is such an important thing to experience and be part of. Tea especially seems to draw together very different people from all over the world. It's rare to find such a group that is so open and strongly linked by a common passion and love. The support for one another was overwhelming and a wonderful thing to experience. I learnt that tea is about many things other than the tea itself. What I've observed overall is that tea is about community.

 

What advice would you give to other ceramicists looking to enter this competition?

I think the best advice I could give to those considering entering the comp is just to be as true to your nature and the unique way you create as you can. Make vessels that give you joy as this comes through your work. A strong connection between a vessel, the maker and the drinker makes a tea experience richer.

 

Why should a ceramicist enter this competition?

The opportunity to work to such a strong sense of purpose is wonderful. The consideration that goes into designing the pieces was a joy for me – such a small vessel that carries with it so many possibilities. I really enjoyed that as an experience. Often function comes after form and design, but here all things needed to be considered equally. It's such a great chance to work in a different way, to give so much to such a small object.

 

If you know a ceramicist who would be interested in entering, please see our website for details. Submissions close 3 April 2020.

Upcoming events

 

10 January: Discovering White Teas, Sydney

17 January: The Epic Saga of Tea, Margaret River

18 January: TeaDao Workshop, Margaret River

19 January: Tea Ceremony and Meditation, Melbourne

25 January: Australia versus India Tea-Off, Sydney

 

SEE THE FULL CALENDAR

(foot of the page)

 

Do you have an event to promote? Let events liaison Adeline Teoh know!

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