Ettenig Sayam

Welcome to the first edition of my newsletter, a direct passageway to the intricate worlds created in "Aren & Elise" and the eagerly anticipated "Seraphine Stone." This newsletter is designed to guide you deeper into the narratives that have captured the hearts and minds of readers worldwide. Here, we unveil the layers of storytelling, character insights, and the rich tapestry of themes weaved into my novels. Prepare to dive into realms where knowledge and understanding are your keys to unlocking the secrets within. Join us on this enlightening journey into the heart of my literary universe. Every word counts. Let's start this adventure together!

 

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In Search of a Signature Scent

I can tell you what my mother’s signature scent was. She wore Norell Perfume.  Actually, she wore the bath oil. She was a nurse and usually worked the 3 to 11pm shift. She always took a bath and used Norell without fail. I don’t remember if she had other fragrances on top of her bureau. She probably did, but if so, she only wore Norell!

Mother passed in 2017, but last year I decided to track down the fragrance to remind me of her. Launched in 1968 with Josephine Catapano as “the nose” behind the fragrance. It’s classified as a woody musk floral fragrance. According to Fragrantica.com The top notes are Narcissus, Galbanum, Hiacynth, Lavender, Bergamot, Lemon and Mandarin Orange; middle notes are Carnation, Arum Lily, Rose, Coriander, Mimosa, Iris, Gardenia, Jasmine, Ylang-Ylang, Cinnamon, Cardamom and Orchid; base notes are Oakmoss, Vetiver, Myrrh, Musk, Amber, Cedar, Sandalwood and Vanilla. Norell was an iconic fragrance for Americans. It is considered the first luxury designer fragrance from the United States. Taking a sniff now to write this article, it actually reminds me of Diorissimo by Dior. They share the same pyramid notes: bergamot at the top, ylang ylang in the middle and sandalwood at the bottom. Norell, however has much smoother and quieter sillage, or scent bubble. It really is really elegant. My mother wore this fragrance for everything: work, visiting friends, going to church or attending a social event. This is the perfume of old money and old Hollywood. The actress Faye Dunaway was the face of Norell. 

 

I never did pick up the habit of wearing Norell. That was my mother’s fragrance. I can remember wearing Guerlain L’Heure Bleue – just a dab here and there and dousing myself with the powder. This was the scent I wore to school every day in elementary school. By the time I reached high school, I wore lots of different perfumes from Estee Lauder Cinnabar to Caron Fleurs de Rocaille to Jontue  and Ralph Lauren. Pretty much from high school to college and pretty much well into adulthood I just wore perfume without thinking much about it. When I finished a bottle, I bought a different perfume. 

 

Now here I am decades and decades later. It is only now that I have this hankering for a signature scent. This hankering pretty much started during the notorious lockdowns. Of course I develop a hankering when no one but my family can smell me. Between a shocking number of samples and a few bottles (okay, more than a few) full bottles, I haven’t found my signature scent. Everything smells nice. I have a few that I know will always stay in my collection like Jardin de Monsieur Li by Hermes or Naxos by Xerjoff. But I’m sure if you queried my family their eyes would glaze over and they would shrug shoulders, possibly roll their eyes and say “Beats me.”   

 

So the quest for the signature scent is on! Or, I could settle for “must keep in my collection – for now.” Ha! 

Featured Interview

What's happening in the arts/cultural community? 

On January 30, 2024 I conducted an interview with Janelle Gilchrist, an Associate Professor at Boston Berklee Conservatory and Boston-based ballet dancer/choreographer and director of Janelle Gilchrist Dance Troupe. I am working on the final draft of my second novel Seraphin Stone about a 17 year old Haitian American girl living in the greater Boston area in the year 2009. She is an aspiring dancer – both ballet and modern dance and she has some decisions she has to make both in terms of her career, and later on romantically. As I am nearing the stage where I need to submit the manuscript for content editing, I wanted to get some real life insights from a dancer who knows the struggle and triumph of being a black ballerina.

From the moment Janelle’s mother decided to put Janelle in a dance school at the Harriet Hoctor School of Ballet to her training at the Boston Ballet School pre-professional program to her studies at the Hartt School Dance Division of University of Hartford under the direction of Alla Osipenko, formerly with the Kirov Ballet to Peggy Lyman protégée  of Martha Graham, Janelle’s dance career is an inspiring story all on its own. Like the main character in my novel, she desires to dance ballet at a time when there was no Misty Copeland of New York Metropolitan Ballet or Michaela de Prince of Boston Ballet leading the charge for aspiring black ballerinas. I am working on having the interview edited so that I can post it on social media. Stay tuned! 

Book Reviews

I'm excited to share my thoughts about How to catch a Story That Doesn't Exist by Enit'ayanfe Ayosojumi Akinsanya with you! Subscribers will receive a notification of exclusive book reviews.

 

Do you have book suggestions? I would love to hear about what you're reading. Maybe I can read it too!

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