The Verdict:

FINAL BUNDLES SALE!

My new accountant, while looking at me as if I was a puppy, said: "Signora, you shouldn't take care of your students' business, but your own."

He has clearly no idea whom he was talking to.

Anyway: we have a verdict, data at hand.

 

For my niche activity, that has slowly, yet constantly increased for the past ten years of online presence and of its current tax regimen (I would like to remind myself that),

 

but that has currently reached the ceiling of available time and energies of its very, very single owner and all-aspects-runner,

 

the solution would be, from now on, according to said man,

that I work every available hour at its full price - only.



I must follow such diet strictly for the entire second half of 2024 and then see whether I can survive, or else must close my business (or radically change it, by stopping teaching individually - as already announced).

 

I've tried to explain to him that I am the maximum living authority in the world about a crucial aspect of an art form that UNESCO recently claimed to be immaterial Patrimony of the Humanity: he didn't care, and said that so does the Italian government.

If I am luxury, and niche, I should be paid as such.

All this translates into:

NO MORE BUNDLES, my dear ones.

 

I mostly work on big bundles, and I seasonally discount them further: same time and energy spent, exactly half the money! Plus, all of the online, free work! I am, insane!

 

To give you an idea: without the further, seasonal sales, the percentage of discount per session that you have by default in my current bundles is:

 

STACCATO (2 session bundle): 20% OFF per session

 

LEGATO (4 session bundle): 25% OFF per session

 

IMPRESARIO (7 session bundle): 28% OFF per session


BIG IMPRESARIO (15 session bundle): 32% OFF per session
.

If I then apply, as I seasonally have (and feel sort of ashamed at the thought) a 15% or even a 20% to a plan like the BIG IMPRESARIO, I get exactly half the money per hour: €53 instead of €99 - BEFORE TAXES!!! I AM INSANE!!!
 

The accountant was frankly speechless and said that I must be "somewhat good at what I do", if I am still in business.

YOU HAVE TIME TO PURCHASE THE BUNDLES TILL JUNE 30th,

for they have a standard length of 6 months and must be used up by December '24 (the Big Impresario only allows you till March '25) -

THEN THEY WILL DISAPPEAR FROM THE WEBSITE.

From July 1st, you will be able to book me per hour, at my full fee, only.
(And I truly hope you will, or we're kinda done!)

DO BUY THE BUNDLES TILL YOU CAN, though!

This final sale will be of help to meet the ends of last year's taxes, which are due shortly.

 

Help yourselves below and

LET'S KEEP THIS GOING!

 

La Maestra

PS: credit cards *ONLY* on the website, email me for anything else.

FINAL BUNDLES SALE HERE
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extremely good at this (Graham Vick)

 

a fantastic coach, extremely helpful for young singers as well as experienced ones (Barbara Hannigan)

 

lingual and linguistic genius, almighty for vowel purity (Peter Tantsits)

 

bringing the language, the music and the characters to life; results of the very highes quality (Paul Nilon)

 

the foundation of a role, doesn't go on stage if she hasn't worked with me on it (Jennifer Rowley)

 

magic keystone of vocal technique, musical interpretation and building of the character: a radical rethink of the act of singing (Anna Piroli)

 

her incredible breadth of knowledge makes me feel entirely prepared (Heather Lowe)

 

opened up my voice, and a world before my eyes; every Conservatory should benefit of her teachings (Giulia Zaniboni)

 

a 180° turn in my work with the singers (Theophilos Lambrianidis)

 

like four professionals in one: taking all those elements and conveying them into one single intention (Yiselle Blum)

 

invaluable to make a role really succeed on stage (Ariadne Greif)

 

thoroughly prepared and professional (Marie Kuijken)

 

her work favours deep understanding, which makes the phrasing and vocal line.

she is entirely devoted to the art of Opera singing, and her students (Ida Falk Winland)

 

incredibly informed, consistent, knowledgeable Maestro (Michael Corvino)

 

a lifeboat; carrying the torch of finest Italian Opera (Nathaniel Kondrat)

 

a cure and a respect of the Music and the words’ musicality

that can be learnt so deeply nowhere else in the world (Matilde Bianchi)

 

an unconventional guardian angel (Giulia Ferraldeschi)

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