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Union actions benefit community-Unlawful Assembly Act, Grand Jury composition

Union actions benefit community-Unlawful Assembly Act, Grand Jury composition

At the end of the 19th and beginning of the 20th Centuries, Hawai`i like many jurisdictions enacted specific laws aimed at crushing the rising labor movement. These laws restricted rights of assembly and rigged the Grand Jury system to exclude the working class, by creating “Blue Ribbon” jury panels. In advance of the 1909 sugar strike, the Japanese Higher Wage Association was formed by four journalists, Nippu Jiji editor, Yasutaro Soga, reporter Yokichi Tasaka, and Frederick Makino (future Hawaii Hochi publisher) and writer, researcher Motoyuki Negoro. They sought to promote better wages and working conditions for ethnic Japanese plantation workers. As leaders of the movement, these journalists documented oppressive conditions and editorialized for change. As a result, their newspaper offices were raided by law enforcement, they were arrested and charged among other things with “impeding sugar plantation operations”! The four were sentenced to 10 months in prison and fined $300 each. So much for First Amendment rights to freedom of the press! The 1946 sugar strike likewise saw application of these oppressive laws, when picketing workers were charged with crimes under the Unlawful Assembly and Criminal Syndicalism Acts. Jail sentences included felony charges that could result in 10 year sentences! ILWU attorney, Harriet Bouslog, successfully appealed these convictions. In a discussion on a Rice & Roses program (circa 1978), AQ reminds us that this action by the union benefitted both striking workers and the entire community.
AQ on English Standard Schools

AQ on English Standard Schools

You may be familiar with the history of racial segregation of schools that was practiced on the Continent and the landmark 1954 U.S. Supreme Court decision in 1954, Brown v. Board of Education, that found the practice unconstitutional. Hawai`i residents, unless of a certain age, are probably unaware that for years Hawai`i schools were segregated, not by race, but by language! In 1924, the Department of Public Instruction created a system of English standard schools in Hawai`i. This decision was the result of pressure by the Haole elite, who felt that their children’s education would suffer if they were instructed in classrooms with local children for whom English was not their first language. This objective was coupled with the desire that their children would learn “American rather than Asian values”. From the very beginning there was opposition to this “undemocratic” system, opposition that would grow and that finally resulted in the end of English standard schools in in 1960. In an appearance on the Rice & Roses television show, hosted by Max Roffman (circa 1978), AQ observes that the labor movement helped mobilize support in opposition to the English standard school system. For an excellent overview of this history see the 1993 paper by Judith Hughes, The Demise of the English Standard School System in Hawai`i. AQ felt that a strong, united labor movement had the ability to address issues benefitting the entire community, not just narrow issues of wages and working conditions. Our documentary about AQ, The Struggle Never Ends, will utilize our substantial film and video archive and feature: AQ, her rank and file brothers and sisters, academics, and political figures.
AQ stories
Stories from the plantation
Gabriel Ruiz Hiroshi (Gabe) Baltazar Jr.  (1929-2022)
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Gabriel Ruiz Hiroshi (Gabe) Baltazar Jr.  (1929-2022)

Gabe was an internationally acclaimed jazz musician (alto saxophone and woodwind doubler). His mother, Chiyoko Haraga, born in Hawaiʻi, was the daughter of Japanese immigrant plantation workers who came to Hawaiʻi in 1900. His father, Gabriel Baltazar Sr. was born in Manila and came to Hawaiʻi as a musician in 1906. I interviewed Gabe in 1987 for a Rice & Roses episode: Music from Filipino Camp. Gabe began playing professionally at age 14. He talked story about his early days learning his craft playing in “taxi-dance” halls, where lonely Filipino plantation workers could pay to dance with women and earn some respite from their solitary existence. Gabe’s talent would take him from Hawaiʻi dance halls to perform with some of the Jazz greats, like Gene Fuller, Dizzy Gillespie, and James Moody. He spent almost 5 years as lead alto sax player with the Stan Kenton Orchestra. He was also a regular at the NBC studios, playing in studio bands for shows by Pat Boone, Johnny Carson, The Smothers Brothers, and Phyllis Diller. Following his illustrious career on the United States Continent, he returned to Hawaiʻi as assistant director of the Royal Hawaiian Band and also continued to perform and mentor local musicians. For details on Gabe’s life and career, see the autobiography: If it Swings its Music, written by Theo Garneau, University of Hawaiʻi Press, 2012. Each month we bring you stories from our Rice & Roses video archive. Preservation and digitization of the collection has been made possible by a generous donation from Frank Moy and Marcia Mau.
History and culture
A Tribute to Franklin Odo (1939-2022)
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A Tribute to Franklin Odo (1939-2022)

Franklin Odo, died in September. He was a teacher and leader in the struggle for human and civil rights. He used his scholarship to challenge racist beliefs and outmoded paradigms of racial superiority. His thinking and teaching cast light on dark and hidden corners of history. He inspired countless numbers of students, fellow academics, and the general public to examine heritage and personal history as a key to understanding the bigger picture. Franklin was born in Hawai‘i. His parents were shop keepers and later farmers. He graduated from Kaimuki High School and went on to earn degrees from Princeton (BA and PhD), and Harvard (MA). Franklin had a huge influence on the development of Asian American history and Ethnic Studies throughout the United States. He also had a major influence on me. We met in 1982 shortly after I was selected to produce and host Rice & Roses, the then-weekly public TV program about labor and the working class. I had significant experience in social and economic justice struggles on the US Continent, but had only a superficial understanding of Hawai‘i history. Franklin, who was appointed (in 1978) director of the Ethnic Studies Program at the University of Hawai‘i at Mānoa became a mentor and then a friend for more 40 years. In 2009, I interviewed Franklin in conjunction with a Rice & Roses special: Canefield Songs: Holehole Bushi. He was in the process of writing his book, Voices from the Canefields (Oxford University Press 2013), and we had collaborated on video interviews with several women who would be featured in both the documentary and book. In this interview, he shared a wonderful story about his personal transition from elitist academia to a pioneer in the field of Asian American Studies. Franklin developed and directed the Asian Pacific American Program at the Smithsonian Institution, then was Interim Chief of the Asia Division of the Library of Congress, and finally returned to teaching as the John Woodruff Lecturer at Amherst College. For those wishing to know more, visit this website. Franklin’s long and distinguished career is a testament to the knowledge that the struggle never ends. He will be sorely missed. But fortunately he has equipped his many students and colleagues with the tools to continue the struggle against racism and oppression! Aloha Oe, Franklin Odo!
Labor
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