Workshop María Moreno
ihk van IX Flamenco Biënnale Nederland 2023
In samenwerking met de Flamenco Biënnale, komt María Moreno in januari een flamenco workshop geven in Espacio Flamenco Encuentros.
Er zijn maar een beperkt aantal plekken, dus mis deze kans niet en schrijf je in!
WANNEER
Vrijdag 20 januari
19.00-20.15 Básico/Intermedio
20.30-22.00 Avanzado
Zaterdag 21 januari
10.00-11.15 Básico/Intermedio
11.30-13.00 Avanzado
13.15-14.15 Bata de cola
KOSTEN
Basico/intermedio: 2x 75 min = €75,- * / €85,-
Avanzado : 2x 90 min = €90,- */ €100,-
Bata de Cola: 1x 60 min = €35,- * / €40,-
* Bij betaling vóór 31-12-2022
LOCATIE
Espacio Flamenco Encuentros
Lijmbeekstraat 157
5612 NC Eindhoven
Schrijf je snel in om zeker te zijn van een plekje!
Inschrijven via: flamencoencuentros@gmail.com
BIOGRAPHY
// MARIA MORENO //
The dance of María Moreno (Cádiz, 1986) is the fruit of pure evolution. Her body movement is nothing more than the reflection of her unquestionable freedom, marked by the value she places on flamenco tradition from updated and contemporary codes. She places her advanced technique in a balanced position, basing her message on the breadth of resources that her creative universe allows her to show.
Her homeland has marked her to the point of letting herself be carried away by the confluence of cultures, absorbing stimuli to shape her artistic architecture free of prejudices. She gains in importance, therefore, in each of her proposals because she reflects the narrative diversity of a work that is under continuous construction.
In the meantime, her essence is poured out in theatres such as the Sadler's Wells in London, the Paris Villette, the Tchaikovsky Academic Opera and Ballet Theatre and the Russkaya Pesnya in Russia. Her appearances at the Roman Theatre of Baelo Claudia, at the Suma Flamenca in Madrid or at the Festival de Danza Italica in Seville stand out.
And so it goes from a beginning that led her to win the Revelation Award at the Festival de Jerez in 2017, with the production Alas del recuerdo, confirming herself as a name of her own in flamenco dance in 2018 with De la Concepción, which won her the Giraldillo Award at the Bienal de Sevilla. It was an intense year, because at the same time Recreo also took place in 2018. The consecration of an exciting reality arrives in 2020 with the premiere of the show More(No)More, with which she wins a second Giraldillo, in this case for the Magic Moment of the XXI Bienal for the beginning of his soleá. In this edition, she is also in charge of the opening act together with Antonio Canales and Rafael Riqueni, whom she previously accompanied on the tour of his album Herencia. In 2020 Yo Bailo was released, a book shared with the photographer Susana Girón in which María signs the texts and which is an extension of the show of the same name born a year
earlier.She tours world music festivals with the Manuel de Falla orchestra and the musical ensemble composed by Enrike Solinís & Euskal Barrokensemble. She has been nominated three times for the Max awards for the performing arts, twice for De la Concepción (Best Female Performer and Best Stage Direction) and once for
More(no)More (Best Costume Design), a recognition that took place at the PAD Awards (The Association ofDance Companies and Professionals).
In this incessant challenge between her being and her artistic expression, María seduces with her brilliant language, her modernist style and the sense of meaning she gives to her proposals. It is not in vain that, since her beginnings at the Professional Dance Conservatory of Cádiz, the Cadiz-born artist has been able to absorb the best of masters such as Javier Latorre, Antonio Canales and Eva Yerbabuena, and has even been
inspired by the ideas and direction of Rafael Villalobos or the groundbreaking fashion concept of Palomo Spain for a wardrobe that defines the personality and perspective of an unclassifiable artist. María moves away from immovable spaces to approach the movement of time and its circumstances as living matter that moves the soul. With the movement of her hands she makes herself, raising an ode to dance from its most deep-rooted roots and reaching a whole as malleable as it is firm.