Please tell us a bit about your interest in ‘Still Life’ as a recurring subject in your work.
I love the story that a still life can tell and the simple celebration of nature’s bounty and our relationship to nature through still life.Our connections to people, places and things are evident in our material anthropology. If I paint what I have and love I can also paint what I desire, claiming a visual if not material ownership.....The good life, simple pleasures like a jar of spring flowers or a pot of delicious gifted marmalade. Cushions of security and peace are found in the universal joy brought by a jug of flowers.
Are you working on anything currently? Any challenges or new emerging themes?
At the moment I’m exploring the pots and vessels element of my still life obsession. Having painted a favourite pot over a dozen times I’m making my own pots and investigating the sculptural qualities that make a good vessel. I like to see installations of paintings with their still life counterparts and I’m keen to develop ensembles of my paintings and pots, exploring the relationship between art and craft.
Which historical Artists are your 'Still Life' hero\heroines?
I’m a huge fan of Winifred Nicholson. Her affinity with the emotive properties of colour and her playfulness with paint is joyful and celebratory. Anne Redpath is another favourite along with Ivon Hitchens.
How does your Painting practice differ in the Winter months?
I let my house every summer so we live outside when it’s warm and forage from the hedgerows. During the winter I’m more housebound but I try to make the most of the light when it happens. My studio overlooking the harbour is North facing, with a cold even light, so I tend to follow the patches of sunshine around the house and get out to paint en plein air when I can…The appearance of primroses and crocuses in the garden is always exciting and I savour each little sign of spring as it appears.
Tell us a bit more about your Horse box Studio? Any Open Studio plans this year?
I converted a beautiful old trailer into a cabin which I often paint from. It makes a brilliant hide from which to enjoy nature and is a wonderful little home from home.
I’ll be taking part in open studios, but I’ll be making camp with a gang of fellow artists near Lamorna, West Cornwall.
What can participants expect when taking part on a “ Still life - Inside on the Outside Course” ?
Participants can expect to find their own inspiration and gain confidence when creating natural still lives which tell a story. We’ll be celebrating nature and our relationship to nature in paint and eating wonderful food which may also be immortalised in paint…if we can resist. Putting paint on in the great outdoors is a joyful experience and we’ll make work which reflects this.