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The Color of Normal 

A newsletter from ya gurl, B

November 2020

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"The Window" Acrylic on Glass, 2020

Ya'll!

 

I really want to shoot you a quick newsletter that says ā€œhere’s a link to my merchā€ and ā€œhere’s a link to request a commissionā€ or other clickable tid bits once a week. But I just can’t bring my brain to work like this!

 

I know we are all spiritually fragmented and brain-fogged by the attention economy, and you will only get halfway through this before you leave to doom scroll or finally respond to those texts which you’re only doing as a procrastination to your actual work. 

 

So know that these newsletter are meant to be little treasure troves. Jam-packed resources you can return to. I’m not interested in grabbing your attention now and selling you the sexiest take this minute. I want what I communicate to creep under your skin and shake off your dreariness, or comfort you deeply, so that weeks from now you wonder again, ā€œwhat was it she was saying?ā€

 

BUT SERIOUSLY HERE'S A LINK TO MY MERCH
REQUEST A COMMISSION IN TIME FOR THE HOLIDAZE

(Please, for the love of dog, if there's any year to support local artist and not default to Amazon!! Go to Etsy, ask ahead and ask around to your friends and family about where to find creative local gifts, artist or merchants!)

Digital Pastel Portrait

AMERICAN AMNESIA

 

ā€œAmerican political culture turned forgiving and forgetting first into a virtue and then into a fetish.ā€ - Masha Gessen

 

The Color of Normal was birthed out of a dark moment, the beginning of pandemic when our society as we knew it stopped and we were finally jolted enough to question on a societal level, ā€œwhat is normal?ā€ 

 

But I've always been very excited about this question, and especially for the pursuit of rebuilding what is ā€œnormal." I hope for a path of reckoning, not forgetting.

 

Masha Gessen wrote "Why America Needs a Reckoning with the Trump Era" in which I was profoundly touched by a few points I'll share here in case you have a paywall:

 

ā€œIn the early nineteen-nineties, the first Russian constitutional court of the post-Soviet era scrambled a planned public trial of the Communist Party, and many of the country’s leaders called on the people to let bygones be bygones. Their motivation was largely pragmatic. A real reckoning would have swept up everyone who had any government experience, leaving the bureaucracy understaffed; it also would have cut through families and communities, exposing past sins. Finally, a reckoning, whether in the courts or in the media, was bound to sap energy and attention; Boris Yeltsin’s government wanted to show a better way, one that would have rendered the past irrelevant. That plan didn’t work. Within a few years, as old divisions turned into unbridgeable chasms, the history of Soviet totalitarianism, left unexamined, gave way to all-encompassing nostalgia.ā€

 

ā€œ...if we choose to move forward without a reckoning, we move into the future lugging the trauma: the trauma of four years of seeing and hearing a President who makes us feel ashamed of looking and listening; the trauma, for many immigrants, of fearing for themselves and their children, and, for nonimmigrants, of being complicit in the war on immigrants; the trauma of observing a First Family that appears to use the government as an annex to its own private enterprise; the trauma of seeing friends and family get sick and die in a pandemic, the effects of which could have been ameliorated; the trauma of half the country, led by the President, denying the existence of a deadly disease and refusing to protect themselves and others; the trauma of seeing American troops used against protesters; the trauma of hearing a President address calls for a reckoning with structural racism by fanning racist hatred; the trauma of feeling helpless in our outrage. The election does not wash away this pain, anger, fear, and helplessness, especially because this election was by no means a landslide: looking at the percentages of the popular vote cast for each candidate, one could conclude that this was just a normal electoral contest. It was not.ā€

 

 

I want to emphasize that I’m not breathing easy just because the Democrats won. We are waking from a dark four years that was only the mass awakening of a deeper sleep through America's long broken past. The effective work to transform the equity and justice of this country is only now really just beginning. 

 

As we pull out of this cartoon dimension, I’m also urging people to be aware of their relationship to social media, news outlets, and information feeds. If you became addicted to any of those in the past four years, know that it's time to check in on yourself and others to pull back from these unhealthy relationships. Let's untangle politics as a from entertainment or a non-constructive pastime. This is not code for politically disengage, this is code for watch the documentary "The Social Dilemma" for a good shaking, or pick up any other nurturing hobbies or effectual actions besides needless worrying, bubba! I say this to myself first and foremost, and now to you because I lava yew!

 

"The Folding" Oil on Canvas, 2020

CAN YOU FIND THE CLITORIS?

 

One place where I began to face our country's embedded ills is when I was the subject of a documentary ā€œThe Dilemma of Desireā€ 

 

I bring it up AGAIN because people keep asking me how they can watch it and I keep saying ā€œplease don’t watch it I cry A LOTā€ 

 

This documentary is for any and all. The truth will set you free.

 

"In this timely and radical film about female desire, gender politics, and sexuality, director Maria Finitzo invites us to share intimate conversations with women on a mission to reverse patriarchal legacy that excludes female empowerment through omissions and distortions."

 

Stream The Dilemma of Desire!

"Our Train" Oil on Canvas, 2020

ANOTHER YEAR AROUND THE SUN


I recently turned 28. I don't know much, but here are a few truths I'm holding dear:


Being an artist in this lifetime is my gift, my lane, my purpose in this world.

I have a special emotional tool kit, I need to share it.

I can’t do this journey alone; I need to ask for more help, support, patronage and mentorship.

Self-acceptance is a discipline; this year I had a lot of practice.

I can’t change people’s minds, but I can present a moment, space or opportunity where they can change their own mind. This is the magic of art.

I often think of my ancestors watching and my hypothetical future daughter listening to the retelling of my life. I’m trying to navigate my life choices with them in mind.

I choose to have real faith in myself and others, because I’ve watched the tragedy of having none in anyone.

I’m not my parents. I’m exactly like my parents.

I feel so old. I feel like a kid.

My past is broken and I can’t fix it. But my present and future can break generational fixtures.

Eeeeeeverything comes back down to your capacity for love; to give love and be loved.

I’m right on time, and so are you šŸ’—

NICE THINGS!

 

  • Chicago-based Growing Concerns Poetry Collective made a beautiful new album "Big Dark Bright Futures" and oooeee it's really right on time. I'm especially in love with their music video for Come To Me Open and the lyrics of "Decide" where the term American Amnesia was crystalized for me.

  • AHHHH The Giving Tree as its original 1973 animated movie, spoken by Shel Silverstein himself!

  • A haunting, gorgeous gem of a love song my Egyptian singer and actress, Najat Al-Saghira

  • On Being podcast with Karen Murphy. "We learn from Karen Murphy about how to prepare ourselves in the U.S. for the civic healing that we are called to ahead."

  • Go ahead, let the tears cathartically flow listening to James Blake perform "Godspeed" 

  • I'm discovering the organization Facing History and Ourselves who partner with educators to promote a world of equity and justice through facing their nation's collective history, attitudes, and behaviors. They have an extensive library of resources for educators (or anyone!)

  • Sometimes I just hang and snap along with Summer Walker while she sings in this mystical, musical cabin

  • Marc Lamont Hill, phillip agnew, and Keeanga-Yamahtta Taylor in conversation about the ongoing struggle for freedom in the wake of the 2020 election. "We Still Here: Pandemic, Policing, Protest, and Possibility"

That's it! Bless your heart if you read all this. 

Don't forget to breath and tell someone you love them.

If you loved this, will you consider forwarding it to one other person in your life?

'Til next time šŸ˜š

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