AUSTCS thanks Melbourne – and you
Thanks to all who came to AUSTCS 2018 in Melbourne – the connections, ideas and energy we’ve generated will fuel us until AUSTCS 2019.
It began, as every gathering should, with tea. After The Savoy Hotel’s art deco foyer embraced this year’s cohort for a group photo, AUSTCS delegates sat down and enjoyed the unboxing of the 2018 cup by ceramicist Annemieke Mulders. It provided an important focal point for our opening ceremony, ‘Welcome by Tea’, with tea at each table selected and served by volunteer brewers.
Chosen through a competition we ran in conjunction with the Australian Ceramics Association, Annemieke’s submission fit both the technical criteria for size and durability (microwave/dishwasher safe!) but most importantly aesthetically, for its representation of Australia. Her winning entry, which depicted glaze in a hue and pattern reminiscent of sea foam, was replicated in some of her delegate cups.
She explained the genesis of the designs in her presentation, how her surroundings in Western Australia – the land, the sky, the sea – served as inspiration for the glaze colours and how experimentation with the glaze combinations made every cup unique. The ‘wow’ factor at the unboxing was a hard act to follow, but Annemieke’s enlightening presentation certainly made everyone appreciate their AUSTCS cup even more and many unsurprisingly spent the break busily buying additions for their collection.
Our first international guest speaker, tea practitioner Jeni Dodd, hails from Kansas via New York via the world. Her presentation on The Art of Tea focused on the aesthetic experience we have when appreciating art being akin to the bodily effect of drinking a cup of tea. Starting with the question ‘what does art do to us?’, Jeni drew a number of parallels between the craft of artistry and the craft of creating tea, the emotional response we have to art and the emotional response we have to tea. Both art and tea, she said, transform and translate worlds using a universal, sensory language.
The second half of her presentation demonstrated this. Jeni had bought two paintings by Indigenous artists on a recent trip to the Northern Territory and paired them with two specialty Nepalese teas. The room took a moment to sip and soak in the combined sensory experience. Whether tea will replace wine at art openings is another discussion!
Chloe Liang from the China International Tea Culture Institute (CITCI) followed. She started with the context of a pre-1980s view of tea as a government commodity, even while many different areas of China displayed a wide array of tea practices, from eating tea (Jinuo) and cooking with tea (Wa) to performing sacrificial rites (Yunnan) with tea to honour nature. Since then, tea has modernised and there’s greater recognition of the diversity of tea culture that comes under the umbrella CITCI provides.
The good news? There are now more than 100K teahouses in China, a twentyfold increase compared to 30 years ago. A lot of this is due to exposing younger people to tea culture, says Chloe, from university tea culture clubs to experimenting with beverages such as tea cocktails to make tea more fashionable. And there’s a significant demand for skilled tea service in professional settings too, with large organisations like the Bank of China using tea to “close the gap with their customers” and tea used in diplomatic situations between President Xi Jinping and his international counterparts.
Tea, it seems, is enjoying a renaissance in China, and we hope it is a harbinger of what’s to come in Australia. If you would like to see it happen, join AUSTCS to support tea culture in Australia. See you in Hobart for AUSTCS 2019!
(Below: 'Sky' themed cup by Annemieke Mulders)