“extremely good at this” (Graham Vick)
"a fantastic coach, extremely helpful for young singers as well as experienced ones" (Barbara Hannigan)
“bringing the language, the music and the characters to life” (Paul Nilon)
“the foundation of a role” (Jennifer Rowley)
“magic conjunction of vocal technique, musical interpretation and building of the character: a radical rethinking of the act of singing” (Anna Piroli)
“incredible breadth of knowledge” (Heather Lowe)
“magic effect on the voice and our art form” (Jessica Harper)
“opened up a world” (Giulia Zaniboni)
“180 degree turn in my work with the singers” (Theophilos Lambrianidis)
“invaluable: she’ll make a role really succeed on stage” (Ariadne Greif)
“potentially life-changing” (Amy Payne)
“brings life to operatic drama” (Maria Sanner)
“enlightening, professionally and humanly” (Clara La Licata)
“thoroughly prepared and professional” (Marie Kuijken)
“truly unique method and insights” (Jasmine Law)
“a lingual and linguistic genius” (Peter Tantsits)
“entirely devoted to the art of Opera singing” (Ida Falk Winland)
“incredibly informed, consistent, knowledgeable” (Michael Corvino)
“carrying the torch of finest Italian Opera” (Nathaniel Kondrat)
“a crucial basis for all the singers” (David Cowan)
“a cure and a respect of the Music and the words’ musicality that can be learnt so deeply nowhere else in the world” (Matilde Bianchi)
