"a fantastic coach, extremely helpful for young singers as well as experienced ones" (Barbara Hannigan)
“bringing the language, the music and the characters to life; results of the very highest quality”
(Paul Nilon)
“extremely good at this” (Graham Vick)
“the foundation of a role, it doesn't go onstage if Sara hasn't worked with me on it” (Jennifer Rowley)
“a lingual and linguistic genius, almighty for vowel purity” (Peter Tantsits)
“magic conjunction of vocal technique, musical interpretation and building of the character: a radical rethink of the act of singing” (Anna Piroli)
“her incredible breadth of knowledge makes me feel entirely prepared” (Heather Lowe)
“magic effect on the voice and our art form” (Jessica Harper)
“opened up my voice, and a world” (Giulia Zaniboni)
“180° turn in my work with the singers” (Theophilos Lambrianidis)
"like four professionals in one" (Yiselle Blum)
“invaluable: she’ll make a role really succeed on stage” (Ariadne Greif)
“potentially life-changing” (Amy Payne)
“brings life to operatic drama” (Maria Sanner)
“enlightening, professionally and humanly” (Clara La Licata)
“thoroughly prepared and professional” (Marie Kuijken)
“truly unique method and insights” (Jasmine Law)
“entirely devoted to the art of Opera singing” (Ida Falk Winland)
“incredibly informed, consistent, knowledgeable” (Michael Corvino)
“carrying the torch of finest Italian Opera” (Nathaniel Kondrat)
“a crucial basis for all the singers” (David Cowan)
“a cure and a respect of the Music and the words’ musicality that can be learnt so deeply nowhere else in the world” (Matilde Bianchi)
"an unconventional guardian angel"
(Giulia Ferraldeschi)