Jan - April '24 NEWSLETTER masoncomics.com.au |
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#23. How is it April already?! Welcome those interested in my comic book work and stuff. Hope you're well. A bit to catch up on some news of things recent, and coming up, some free sneak peaks at stuff, and thank you for following along. |
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March: Return of an Old Friend: The SuperAustralians go international! SUPERHUMANITY: The SuperAustralians #1 is out now worldwide, thanks to the efforts of editor Christopher Sequeira and IPI Comics. Enclosed is a 6 page story by me and Amanda Bacchi (inked WIP pages below), featuring my old creator-owned character The Soldier, and his grandson going head to head with respective radicals. This was something we did a number of years ago, and we're excited to see it available in comic stores both here and abroad. The first issue also has a letter from STEVE DIKTO (Spider-man & Dr Strange co-creator), wishing the project well.
The Soldier's grandson is set to feature again later in the story, with Jan Scherpenhuizen following some rough layouts and story. I look forward to seeing how it all wraps up :D Track it down via your local store, or order online. Here's Kings Comics Sydney link:
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March: Glenn Ford/Paul Mason cover collab! I recently had the opportunity to collaborate with Australian comics great, and Frew art director Glenn Ford on a cover of the Phantom replica series (issue #1964). Glenn did all the hard work, I provided him a pencil sketch layout design on a large A2 page for Glenn to paint. The comic series counts down to the original facsimile editions of Frew comics, currently featuring the art of Wilson McCoy and occasionally Ray Moore, depending on what was being printed back in the 1950s. Glenn has been doing covers for a while on these issues, and I was pleased to have been able to help out a boss, friend and Australian comics inspiration. If you're chasing a copy of the cover, click the link below: | | |
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Jan - Feb: Australian Comics Exhibition in China! I was fortunate to have had some pages of FLOCK #1, The Phantom #1925 and #1947 appear in China over January and February this year as part of the Australian Comics Exhibition there. The exhibition was organised by ACE! in conjunction with the Australian Consulate - General in the city of Chengdu.
Photos and a bit about the exhibit can be found in a recent blog post below. Many thanks once again to Jakub Mazerant at IllustrateYourLife & ACE!, and Adelle Neary, Consul-General in Chengdu: | | |
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Feb: GenreCon 2024 A quick thank you to the Queensland Writers Centre and Genrecon2024 team for inviting me to chat about comics and graphic novels with Author and graphic novel writer C.S Pacat. Thanks too Cat, and the lovely audience for a nice afternoon in February. Photo by Jemma Pollari. |
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Inkspot Magazine #101 The Summer/Autumn 2024 Inkspot magazine published a couple of write ups I wrote: one was a 2 page article on The Phantom in Bundberg Regional Galleries, the other was a brief overview of the Frew 75th Anniversary issue. Inkspot is the quarterly magazine by the Australian Cartoonists Association, and I was thankful for the opportunity to share some Phantom-related news to the members; particularly touching on Shane Foley's exhibit, and the various cartoonists works that appeared in the gallery, thanks to collectors such as Paul Moloney. Some past issues of Inkspot, and Stanley Yearbooks, can be found online at the link below, if you're interested: | | |
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Santo-Fi collaboration: Santo-Fi is an Australian-based clothing and Apparel brand operating on the Sunshine Coast, but they're aiming for more than just the shirts: Combining sports, arts, philosophy and community with active wear and fashion. I dig these folks and what they're humbly trying to do. I've had the pleasure of going to a couple of their organised events, such as their cinema movie nights, and hope to try their yoga and other activities down the track, as well as collaborate with them in the near future. "...Referencing the universal concept of PHI (the Golden Ratio), SANTO-FI embodies the harmony in conflict. A conduit to the beauty in the absurd. Our approach to fashion is a reflection of our values (Beauty, Simplicity, Harmony, Balance, and Cultivation) and various activities related to the development of the soul. We believe through engagement with physiology, art, science, music, philosophy, community and our core values - people can reach their fullest potential. Apparel and fashion is the intersection of all these elements..."
I'm pleased to have been asked to be a collaborator, we caught up recently to chat in the home office and over some past work and current work which tied in some of my fight mind with the drawing work (see some of the photos below.) Cheers to Esteban and the Santo-Fi crew for their efforts and go check out some of their first wave of apparel, their interesting podcast and upcoming events via the link to their website below (and a huge congratulations to Esteban and Serena on the birth of their daughter Viveca :D). | | |
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Sneak peak: The Phantom: Vietnam Still in the trenches of The Phantom: Vietnam, with the hopes to getting this project finished and collected. I'm working on the 11th instalment at the moment, but here's a little of the 9th. Longtime Phantom comic strip readers might recognise this nod to the means of communication the Phantom is undertaking here in the jungles of Bangalla. This short (I hope you might see in 2024?), is definitely a "For those who came in late" chapter.
Click the link below to suss out the previous instalments and preview page samples from various parts published so far. | | |
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BEST OF FREW 2023 results Oh right, it HAS been a while; last newsletter in December I was talking about the Chronicle Chamber Best of Frew story voting thing that the CC crew hold annually, and I just wanted to give them (and you folks who read the comics and voted) a shout out for the kind feedback on the stories we did last year. Very kind, I hope it means despite the rocky climate that I am able to finish what I started in 'Nam, but in the meantime, the kindness is noted, considering how devisive my drawing of the Phantom was when I first kicked off with Frew. Great work for Amanda too, who is the only female writer in the top 10 :D Cheers all! | | |
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Thought-streams, final words and jibber jabber: As always, thank you to the O.G subscribers to this newsletter, and hello to the new subscribers. Welcome too if you got here from the masoncomics website direct, social media, or any friends and family still hanging with me here, following my stuff. Still contemplating Patreon...if anyone is interested?: I'm still grappling with the idea of what people might want to see; W.I.P of current pages? Serialised past issues of comics? More extensive sneak previews? Video sessions of me drawing and chatting? Small tutorials?...???
Projects on the burner: As mentioned above, on the drawing board currently is The Phantom in 'Nam. Getting this Phantom series to a (hopefully still on the cards) trade paperback is my "white whale". It's progressing, I'm at the 11th story currently, 8 have seen publication. I don't wish to compromise the natural unravelling of the story, but at the same time, I'm aware the clock is ticking, and my dutiful assistant editor Amanda encouraged a rethink. So I recently took a machete to some concepts in the outline, in efforts to still include the ideas I had in mind, but save on pages, and start ramping up to the finale. Probably better in the long run re: price point/production, and my sanity, which will be tested when I then have to decide on the colour treatment for all the pages. Watch this space. (Would the work in progress be something that people would be interested in seeing and hearing about as it develops via Patreon? Let me know. A "How to" Comic Book Manual: the cumnination of my doctoral research paper and my comic book university course, all in one volume; including sample scripts, sample designs, thumbnails, roughs, inks, colours, lettering, the works. I'm also doing this as a series of kids volumes: first one I'm currently writing is how to draw characters & creatures. I'll follow with How to draw pictures which is all the visual story/comic panels essentials, but without all the technical language, and more pictures. The above, but to present as an online course eventually available from my website. Putting pieces into place. Course content first. After handing in a recent Academic research book chapter on Australian action/superhero comics past and recent, I've also been accepted to write a chapter in an American university call for papers re: Methodologies of Australian war comics past and present. Due in June, it's getting there, amongst the juggle. Also slowly chipping away at FLOCK #2, (and storyboards for a short film based on FLOCK). It's moving forward. Slowly, but forward. So a while ago I was asked by a local publisher with an emerging comic line to resurrect the Soldier Legacy series I started my comics studies with back in 2009. As much as I'd love the idea of just handing over 6-7 issues of the comic (and wrapping up the final issue I started but stopped for Eldritch Kid, and Kid Phantom), the original first few issues I can see all the errors (with good cause; I was learning as I drew them as part of my doctoral research). I hate the idea of having wider distribution of work I'm not happy with. So, slowly (really slowly), I've started to redraw the first issue. I'm in no hurry (as you can see, I'm stretched thin everywhere else in terms of projects), BUT, it's happening. I'm trying not to be so pedantic with it, and maybe doing it in a looser style like a poor-man's Darwin Cooke Parker series, might be an approach I take? I don't know. I REALLY want to finish the 'nam series, and FLOCK, and those are the projects in that order are helping to pay bills the most in the short term, so that's where I'm at. But when it's all eventually done, it will make for an interesting comparison: the original stuff, verses THE SOLDIER LEGACY: REDUX. Again, watch this space.
Recent shows we've enjoyed: SHOGUN: Solid.You should be watching this. And if you're a Wolverine fan, you'll see what inspired Claremont and Miller to write the Wolverine in Japan stuff for Marvel in the 1980s. Amanda and I have enjoyed the weekly drop. THE GENTLEMEN: Great series. Grew up on Ritchie films, I remember convincing friends in high school to go watch "Lock Stock and Two Smoking Barrels" immediately. "Snatch" is still S-Tier level, and endlessly quotable. This series was fun. Good to see Vinnie Jones is a support role and Ray Winstone being Ray Winstone. You don't have to see the original "The Gentlemen" movie to watch the series (it is its own thing), but I found it helped in getting the gist of the overall premise.
X-Men '97: Nostaliga kick. I drew stuff from the o.g cartoon in primary school CONSTANTLY. It was my gateway into Marvel comics (albeit I was a Spider-man kid). In year 5, I caught a bus on the weekend to go from one end of the Gold Coast to the other, just to go to the newly opened "Toys R Us" in Southport and buy a wolverine action figure with pocket money. Watching the original cartoon series now as an adult, it doesn't really stand up- I think the first episode is still solid, but quality was haphazard in terms of animation and keeping characters "on model". But this current series is really enjoyable. Looks dynamite, and pulling no punches. Wolverine needs to stab more things. I guess the creators felt Hugh Jackman has that well tapped, so is letting other characters shine in the cartoon. Looking forward to: THE SYMPATHIZER: Dropping mid April, based on the award-winning book (Currently reading, but it's a tricky read so far.). Given the subject matter, you'll understand why it's my wheelhouse.
Recent Comic Books/Books I've enjoyed: Richard Stark's PARKER by Darwyn Cooke: The Complete Collection (IDW): WOW. Amazing. I WISH I could tell comic stories like this. Looks like it's dashed out, but with the training of a Master storyteller and cartoonist behind it. It's Influencing most things I'm trying lately, except I feel like I have to slave over something in order for it to look effortless, and I'm too anxious for just dashing something out and expecting readers to like it. Sadly, Cooke passed away before able to completing all of the Parker Novel adaptations, but the ones he did are amazing. "The Hunter" is solid (If you've seen Mel Gibson's "Payback" from the mid 90s, it will be familiar to you. I'm also on the hunt for Lee Marvin's Point Blank, which is also "The Hunter". Shout out if you have a DVD copy I could borrow :D). I also dig "The Man with the Getaway Face", "Slayground", and "The Score". You can get these in single paperbacks, but the collected edition is fantastic.All done in one stories of the bad guy with a code. If you like Michael Mann's "Heat", you'll dig Parker. I am convinced "Heat 2" is just channelling a Westlake/Stark crime story. https://www.comicsetc.com.au/products/richard-starks-parker-the-complete-collection Firepower vol 1: by Robert Kirkman and Chris Samnee (Image): I picked this one up on sale at Comics Etc. for $5. I don't normally go for Martial Arts comics (ironic, right?) I mean, they usually feel like every other martial arts thing. Dragons, Mystical monks, magic powers, "chi". Kung-Fu Panda without the Panda etc. etc. etc. This kinda has elements of that, but it's done with some humorous/light-hearted elements, mixed in with the serious nature of the plot and character, throws you into the story and moves at a good pace, plays with the cliches, leaves vol1 (prelude) at an interesting point. I'm mainly here for the visual storytelling and art by Chris Samnee, and knew Kirkman's work (The Walking Dead, etc.), so expected a good read. Samnee's work is stunning as always. The colours by Matt Wilson are also excellent. Liked it more than I thought I would. I'll give the next volume a go, eventually. https://imagecomics.com/comics/releases/fire-power-by-kirkman-samnee-vol-1-prelude-ogn ----- Before I sign off, I'd like to acknowledge the passing of my Granddad who I had heard passed sometime in mid April and who I miss very much. It's been a few years since we've spoken, and I lost touch, but I think about almost daily. Families are complicated, but despite what transpires between them, I choose to remember the good memories and note that in life we do our best to get by with our immediate family and loves ones, and aim to preserve our own mental health as best as we can. Sometimes life pulls people in different directions. I still remember with great fondness when I was growing up, talking and watching action movies, football, martial arts, cameras and whatever tech he'd gotten ahold of, and everything else in between, when I would stay with him and Nanna on trips, or when they use to visit long ago. "You can't go home again", as they say. I went thru my things and found some photos of us together; before I went off to my high school formal in 2000, and during my 1st degree Black Belt taekwon-do grading in 2001. I remember those days well. I will miss our conversation about things we thought were cool. I love you Granddad, and will continue to miss you. ----- I sincerely hope you and your family are safe and well wherever you are and whatever you're doing. Thanks for your ongoing support, and appreciation for the comics and drawings. Share the website address for newsletter sign ons if you think you might know someone who would be keen to see this stuff or catch some news and comic info. Warm regards, Paul. pmason83@gmail.com P.S: This month's sneak peek: A story page ;D |
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Oh, and since I realised he's 15 this year, here's some work in progress on the Soldier Legacy redux, as mentioned above. A long way to go, but in progress nevertheless. |
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