Ciao Cari,

I hope you are feeling refreshed and rested as I am lucky to feel after this Summer break.
Virgo season, time for the harvest.

In a few days, by Sep 4th, I will send out a newsletter containing three different bundles that I have conceived upon your recent requests to start working with me asap.

You will be able to choose between:

• an 8-individual-sessions one

• a 4-individual-sessions one

• and, for the first time, a 4-to-8 people group session one - group that will be formed accordingly with the topic of interest (could be the coaching of a specific role of common interest, diction theory and practice, vocal music writing interpretation, dramaturgy, etc.)
   

If you have specific requests for specific needs, now is the time to reply to this email and make them.

From now on, I will only be available to coach for two hours a day (three, exceptionally), five days a week of every other week (the one I'm not teaching at the Conservatory).

This means, I can only take in about eight to ten new people (to leave room for the old ones who may need me for upcoming gigs).

Stay HYPERtuned: first come, first serve.

Much Love,

La Maestra

PS: Why "Cinema"? Check out my YouTube channel, for super yummy recent uploads.

“extremely good at this” (Graham Vick)

"a fantastic coach, extremely helpful for young singers as well as experienced ones" (Barbara Hannigan)

“bringing the language, the music and the characters to life” (Paul Nilon)

“the foundation of a role” (Jennifer Rowley)

“magic conjunction of vocal technique, musical interpretation and building of the character: a radical rethink of the act of singing” (Anna Piroli)

“her incredible breadth of knowledge makes me feel entirely prepared” (Heather Lowe)

“magic effect on the voice and our art form” (Jessica Harper)

“opened up my voice, and a world” (Giulia Zaniboni)

“180° turn in my work with the singers” (Theophilos Lambrianidis)

"like four professionals in one" (Yiselle Blum)

“invaluable: she’ll make a role really succeed on stage” (Ariadne Greif)

“potentially life-changing” (Amy Payne)

“brings life to operatic drama” (Maria Sanner)

“enlightening, professionally and humanly” (Clara La Licata)

“thoroughly prepared and professional” (Marie Kuijken)

“truly unique method and insights” (Jasmine Law)

“a lingual and linguistic genius” (Peter Tantsits)

“entirely devoted to the art of Opera singing” (Ida Falk Winland)

“incredibly informed, consistent, knowledgeable” (Michael Corvino)

“carrying the torch of finest Italian Opera” (Nathaniel Kondrat)

“a crucial basis for all the singers” (David Cowan)

“a cure and a respect of the Music and the words’ musicality that can be learnt so deeply nowhere else in the world” (Matilde Bianchi)

"an unconventional guardian angel"

(Giulia Ferraldeschi)